journalism jury consisted of five members. Due to the growing number of
entries in the public service, investigative reporting, beat reporting,
feature writing and commentary categories, these juries were enlarged to
seven members beginning in 1999. The jury members, working intensively for
three days, examine every entry before making their nominations. Exhibits
in the public service, cartoon, and photography categories are limited to
20 articles, cartoons, or pictures, and in the remaining categories, to 10
articles or editorials - except for feature writing, which has a maximum of
five articles. In photography, a single jury judges both the Breaking News
category and the Feature category. Since the inception of the prizes the
journalism categories have been expanded and repeatedly redefined by the
board to keep abreast of the evolution of American journalism. The cartoons
prize was created in 1922. The prize for photography was established in
1942, and in 1968 the category was divided into spot or breaking news and
feature. With the development of computer-altered photos, the board
stipulated in 1995 that "no entry whose content is manipulated or altered,
apart from standard newspaper cropping and editing, will be deemed
acceptable."
These are the Pulitzer Prize category definitions in the 2001 competition:
1. For a distinguished example of meritorious public service by a newspaper
through the use of its journalistic resources which may include editorials,
cartoons, and photographs, as well as reporting.
2. For a distinguished example of local reporting of breaking news.
3. For a distinguished example of investigative reporting by an individual
or team, presented as a single article or series.
4. For a distinguished example of explanatory reporting that illuminates a
significant and complex subject, demonstrating mastery of the subject,
lucid writing and clear presentation.
5. For a distinguished example of beat reporting characterized by sustained
and knowledgeable coverage of a particular subject or activity.
6. For a distinguished example of reporting on national affairs.
7. For a distinguished example of reporting on international affairs,
including United Nations correspondence.
8. For a distinguished example of feature writing giving prime
consideration to high literary quality and originality.
9. For distinguished commentary.
10. For distinguished criticism.
11. For distinguished editorial writing, the test of excellence being
clearness of style, moral purpose, sound reasoning, and power to influence
public opinion in what the writer conceives to be the right direction.
12. For a distinguished cartoon or portfolio of cartoons published during
the year, characterized by originality, editorial effectiveness, quality of
drawing, and pictorial effect.
13. For a distinguished example of breaking news photography in black and
white or color, which may consist of a photograph or photographs, a
sequence or an album.
14. For a distinguished example of feature photography in black and white
or color, which may consist of a photograph or photographs, a sequence or
an album.
While the journalism process goes forward, shipments of books totaling some
800 titles are being sent to five letters juries for their judging in these
categories:
1. For distinguished fiction by an American author, preferably dealing
with American life.
2. For a distinguished book upon the history of the United States.
3. For a distinguished biography or autobiography by an American author.
4. For a distinguished volume of original verse by an American author.
5. For a distinguished book of non-fiction by an American author that is
not eligible for consideration in any other category.
The award in poetry was established in 1922 and that for non-fiction in
1962. Unlike the other awards which are made for works in the calendar
year, eligibility in drama and music extends from March 2 to March 1. The
drama jury of four critics and one academic attend plays both in New York
and the regional theaters. The award in drama goes to a playwright but
production of the play as well as script are taken into account.
The music jury, usually made up of four composers and one newspaper critic,
meet in New York to listen to recordings and study the scores of pieces,
which in 2000 numbered 100. The category definition states:
For distinguished musical composition of significant dimension by an
American that has had its first performance in the United States during the
year.
The final act of the annual competition is enacted in early April when the
board assembles in the Pulitzer World Room of the Columbia School of
Journalism. In prior weeks, the board had read the texts of the journalism
entries and the 15 nominated books, listened to music cassettes, read the
scripts of the nominated plays, and attended the performances or seen
videos where possible. By custom, it is incumbent on board members not to
vote on any award under consideration in drama or letters if they have not
seen the play or read the book. There are subcommittees for letters and
music whose members usually give a lead to discussions. Beginning with
letters and music, the board, in turn, reviews the nominations of each jury
for two days. Each jury is required to offer three nominations but in no
order of preference, although the jury chair in a letter accompanying the
submission can broadly reflect the views of the members. Board discussions
are animated and often hotly debated. Work done by individuals tends to be
favored. In journalism, if more than three individuals are cited in an
entry, any prize goes to the newspaper. Awards are usually made by majority
vote, but the board is also empowered to vote 'no award,' or by three-
fourths vote to select an entry that has not been nominated or to switch
nominations among the categories. If the board is dissatisfied with the
nominations of any jury, it can ask the Administrator to consult with the
chair by telephone to ascertain if there are other worthy entries.
Meanwhile, the deliberations continue.
Both the jury nominations and the awards voted by the board are held in
strict confidence until the announcement of the prizes, which takes place
about a week after the meeting in the World Room. Towards three o'clock
p.m. (Eastern Time) of the day of the announcement, in hundreds of
newsrooms across the United States, journalists gather about news agency
tickers to wait for the bulletins that bring explosions of joy and
celebrations to some and disappointment to others. The announcement is made
precisely at three o'clock after a news conference held by the
administrator in the World Room. Apart from accounts carried prominently by
newspapers, television, and radio, the details appear on the Pulitzer Web
site. The announcement includes the name of the winner in each category as
well as the names of the other two finalists. The three finalists in each
category are the only entries in the competition that are recognized by the
Pulitzer office as nominees. The announcement also lists the board members
and the names of the jurors (which have previously been kept confidential
to avoid lobbying).
A gold medal is awarded to the winner in Public Service. Along with the
certificates in the other categories, there are cash awards of $7,500,
raised in 2001 from $5,000. Four Pulitzer fellowships of $5,000 each are
also awarded annually on the recommendation of the faculty of the School of
Journalism. They enable three of its outstanding graduates to travel,
report, and study abroad and one fellowship is awarded to a graduate who
wishes to specialize in drama, music, literary, film, or television
criticism. For most recipients of the Pulitzer prizes, the cash award is
only incidental to the prestige accruing to them and their works. There are
numerous competitions that bestow far larger cash awards, yet which do not
rank in public perception on a level with the Pulitzers. The Pulitzer
accolade on the cover of a book or on the marquee of a theater where a
prize-winning play is being staged usually does translate into commercial
gain.
The Pulitzer process initially was funded by investment income from the
original endowment. But by the 1970s the program was suffering a loss each
year. In 1978 the advisory board established a foundation for the creation
of a supplementary endowment, and fund raising on its behalf continued
through the 1980s. The program is now comfortably funded with investment
income from the two endowments and the $50 fee charged for each entry into
the competitions. The investment portfolios are administered by Columbia
University. Members of the Pulitzer Prize Board and journalism jurors
receive no compensation. The jurors in letters, music, and drama, in
appreciation of their year-long work, receive honoraria, raised to $2,000,
effective in 1999.
Unlike the elaborate ceremonies and royal banquets attendant upon the
presentation of the Nobel Prizes in Stockholm and Oslo, Pulitzer winners
receive their prizes from the president of Columbia University at a modest
luncheon in May in the rotunda of the Low Library in the presence of family
members, professional associates, board members, and the faculty of the
School of Journalism. The board has declined offers to transform the
occasion into a television extravaganza.
The Who's Who of Pulitzer Prize Winners is more than simply a roster of
names and biographical data. It is a list of people in journalism, letters,
and music whose accomplishments enable researchers to trace the historical
evolution of their respective fields and the development of American
society. We are indebted to Joseph Pulitzer for this and an array of other
contributions to the quality of our lives.
Seymour Topping was appointed Administrator of The Pulitzer Prizes and
Professor of International Journalism at the Graduate School of Journalism
of Columbia University in 1993. After serving in World War II, Professor
Topping worked for 10 years for The Associated Press as a correspondent in
China, Indochina, London, and Berlin. He left The Associated Press in 1959
to join The New York Times, where he remained for 34 years, serving as a
foreign correspondent, foreign editor, managing editor, and editorial
director of the company's 32 regional newspapers. In 1992-1993 he served as
president of the American Society of Newspaper Editors. He is a graduate of
the School of Journalism at the University of Missouri.
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PUBLIC SERVICE Washington Post
Notably for the work of Katherine Boo that disclosed wretched neglect and
abuse in the city’s group homes for the mentally retarded, which forced
officials to acknowledge the
conditions and begin reforms.
BREAKING NEWS REPORTING Staff of Denver Post
For its clear and balanced coverage of the student massacre at Columbine
High School.
INVESTIGATIVE REPORTING
Sang-Hun Choe, Charles J. Hanley and Martha Mendoza of Associated Press
EXPLANATORY REPORTING
Eric Newhouse of Great Falls (Mont.) Tribune
For his vivid examination of alcohol abuse and the problems it creates in
the community.
BEAT REPORTING George Dohrman of St. Paul Pioneer Press
For his determined reporting, despite negative reader reaction, that
revealed academic fraud in the men’s basketball program at the University
of Minnesota.
NATIONAL REPORTING Staff of Wall Street Journal
For its revealing stories that question U.S. defense spending and military
deployment in the post-Cold War era and offer alternatives for the future.
INTERNATIONAL REPORTING Mark Schoofs of Village Voice
For his provocative and enlightening series on the AIDS crisis in Africa.
FEATURE WRITING J.R. Moehringer of Los Angeles Times
For his portrait of Gee’s Bend, an isolated river community in Alabama
where many descendants of slaves live, and how a proposed ferry to the
mainland might change it.
COMMENTARY Paul A. Gigot of Wall Street
Journal
For his informative and insightful columns on politics and government.
CRITICISM Henry Allen of Washington Post
For his fresh and authoritative writing on photography.
EDITORIAL WRITING John C. Bersia of Orlando Sentinel
For his passionate editorial campaign attacking predatory lending practices
in the state, which prompted changes in local lending regulations.
EDITORIAL CARTOONING
Joel Pett of Lexington (Ky.) Herald-Leader
BREAKING NEWS PHOTOGRAPHY
Photo Staff of Denver Rocky Mountain News
For its powerful collection of emotional images taken after the student
shootings at Columbine High School
.
FEATURE PHOTOGRAPHY
Carol Guzy, Michael Williamson and Lucian Perkins of Washington Post
For their intimate and poignant images depicting the plight of the Kosovo
refugees.
FICTION
Interpreter of Maladies by Jhumpa Lahiri (Mariner Books/Houghton Mifflin)
DRAMA
Dinner With Friends by Donald Margulies
HISTORY
Freedom From Fear: The American People in Depression and War, 1929-1945 by
David M. Kennedy (Oxford University Press
BIOGRAPHY OR AUTOBIOGRAPHY
Vera (Mrs. Vladimir Nabokov) by Stacy Schiff (Random House)
POETRY
Repair by C.K. Williams (Farrar, Straus and Giroux)
GENERAL NON-FICTION
Embracing Defeat: Japan in the Wake of World War II by John W. Dower (W.W.
Norton & Company/The New Press)
MUSIC
Life is a Dream, Opera in Three Acts: Act II, Concert Version by Lewis
Spratlan
Premiered on January 28, 2000 by Dinosaur Annex in Amherst, Mass. Libretto
by James Maraniss.
The List of used resources :
1. Who's Who of Pulitzer Prize Winners by Elizabeth A. Brennan;
2. Joseph Pulitzer by Elizabeth C. Clarage; copyright 1999 by The Oryx
Press. Used with permission from The Oryx Press, 4041 N. Central Ave.,
Suite 700 Phoenix, AZ 85012, 800 279-6799.
3. www.oryxpress.com.
4. www.pulitzer.org/Archive/archive.html
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